Frank Frazetta, born on the 9th day of February, 1928 in Brooklyn, New York, discovered the wonders of drawing before he was three, when he sold his first crayon drawing to Grandma – for the tidy sum of one penny. It was through her interest and encouragement, that he continued his drawings through those early years. When he hit kindergarten, his teachers were astounded that there was a child only 5 1/2 drawing better then ten-year-olds. Throughout Elementary School, Frazetta created comic books with the main character a snowman and an array of assorted characters.
Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction is a comprehensive survey of Picabia’s audacious, irreverent, and profoundly influential work across mediums. This will be the first exhibition in the United States to chart his entire career.
Among the great modern artists of the past century, Francis Picabia (French, 1879–1953) also remains one of the most elusive. He vigorously avoided any singular style, and his work encompassed painting, poetry, publishing, performance and film. Though he is best known as one of the leaders of the Dada movement, his career ranged widely—and wildly—from Impressionism to radical abstraction, from Dadaist provocation to pseudo-classicism, and from photo-based realism to art informel. Picabia’s consistent inconsistencies, his appropriative strategies, and his stylistic eclecticism, along with his skeptical attitude, make him especially relevant for contemporary artists, and his career as a whole challenges familiar narratives of the avant-garde.
Francis Picabia features over 200 works, including some 125 paintings, key works on paper, periodicals and printed matter, illustrated letters, and one film. The exhibition aims to advance the understanding of Picabia’s relentless shape-shifting, and how his persistent questioning of the meaning and purpose of art ensured his iconoclastic legacy’s lasting influence.